
Championed and headed by revolutionary editor/teacher Jeanne Cavalos, Dell Abyss represented the last wave of the horror boom. Debuting in 1991 and wrapping up with promises of a newly appointed editor to take over the line (which never occurred), Abyss mangled tropes and instead encouraged new realms of psychological terror, experimental horror, dark realms of sexuality, and ultimately introduced the world to a few authors who would go on to find momentous success, among them Poppy Z. Brite, Kathe Koja, and Brian Hodge.
Dell Abyss Catalogue
| Title | Author | Publication Date | ISBN |
|---|---|---|---|
| The Cipher | Kathe Koja | February 1991 | 0-440-20782-7 |
| Nightlife | Brian Hodge | March 1991 | 0-440-20754-1 |
| Dusk | Ron Dee | April 1991 | 0-440-20709-6 |
| Specters | J. M. Dillard | May 1991 | 0-440-20758-4 |
| Prodigal | Melanie Tem | June 1991 | 0-440-20815-7 |
| Obsessed | Rick Reed | July 1991 | 0-440-20855-6 |
| Toplin | Michael McDowell | August 1991 | 0-440-20886-6 |
| Mastery | Kelly Wilde | September 1991 | 0-440-20727-4 |
| Descent | Ron Dee | October 1991 | 0-440-20708-8 |
| Tunnel Vision | R. Patrick Gates | November 1991 | 0-440-21090-9 |
| Shadow Twin | Dale Hoover | December 1991 | 0-440-21087-9 |
| Post Mortem | ed. Paul F. Olson | January 1992 (orig. 1989 St. Martin Press) | 0-440-20792-4 |
| The Orpheus Process | Daniel Gower | February 1992 | 0-440-21143-3 |
| Whipping Boy | John Byrne | March 1992 | 0-440-21171-9 |
| Bad Brains | Kathe Koja | March 1992 | 0-440-21114-X |
| Lost Futures | Lisa Tuttle | May 1992 | 0-440-21201-4 |
| Deathgrip | Brian Hodge | June 1992 | 0-440-21112-3 |
| Metahorror | ed. Dennis Etchison | July 1992 | 0-440-21202-2 |
| Stitch | Mark Morris | August 1992 | 0-440-21259-6 |
| Anthony Shriek | Jessica Amanda Salmonson | September 1992 | 0-440-21320-7 |
| Death’s Door | John Wooley and Ron Wolfe | October 1992 | 0-440-21196-4 |
| Wilding | Melanie Tem | November 1992 | 0-440-21285-5 |
| Dark Dance | Tanith Lee | December 1992 | 0-440-21455-6 |
| Penance | Rick Reed | January 1993 | 0-440-21237-5 |
| Shadow Man | Dennis Etchison | February 1993 | 0-440-21202-2 |
| Facade | Kathryn Kristin Rusch | March 1993 | 0-440-21290-1 |
| Rapid Growth | Mary Hanner | April 1993 | 0-440-21337-1 |
| Angel Kiss | Kelly Wilde | May 1993 | 0-440-20728-2 |
| The Making of a Monster | Gail Peterson | June 1993 | 0-440-21389-4 |
| Darker Saints | Brian Hodge | July 1993 | 0-440-2113-1 |
| Making Love | Nancy Holder and Melanie Tem | August 1993 | 0-440-21469-6 |
| Heart-Beast | Tanith Lee | September 1993 | 0-440-21455-6 |
| Lost Souls | Poppy Z. Brite | October 1993 | 0-440-21281-2 |
| X, Y | Michael Blumlein | November 1993 | 0-440-21374-6 |
| Harrowgate | Michael Gower | December 1993 | 0-440-21456-4 |
| Deadweight | Robert Devereaux | March 1994 | 0-440-21482-3 |
| 65 MM | Dale Hoover | April 1994 | 0-440-21338-X |
| Dead in the Water | Nancy Holder | June 1994 | 0-440-21481-5 |
| Revenant | Melanie Tem | September 1994 | 0-440-21503-X |
| Grave Markings | Michael Arnzen | November 1994 | 0-440-21339-8 |
| Sins of the Blood | Kathryn Kristin Rusch | December 1994 | 0-440-21540-4 |
| The Language of Fear | Del James | February 1995 | 0-440-21712-1 |
| California Gothic | Dennis Etchison | June 1995 | 0-440-21726-1 |
| Little Deaths | ed. Ellen Datlow | September 1995 | 0-440-21852-7 |
| The Children’s Hour | Douglas Clegg | November 1995 | 0-440-21867-5 |
These titles are now collectors’ items, and while not at all uncommon to find one or perhaps two when touring a used book store, oftentimes the foil-cut and view-through window covers are marred and torn. Oddly, some seem printed in a way that makes them look as if they leaped through time whereas others, flaking and brittle, seem like they are made of paper slate.

Uniformly praised by critics and authors alike (including a oft-produced paragraph blurb by Stephen King used on the titles themselves), the quality of Dell Abyss is uneven…at best. Here, taste certainly plays a part, but much of the contemporary argument regarding horror’s history with misogynistic and overly-sexualized male gaze-y plays out in the pages of more than a few of these authors, with perhaps Ron Dee serving as the prime example.
As the line progressed, its original claim and stance on avoiding familiar settings and tropes softened, and titles like Gail Peterson’s The Making of a Monster featured vampires. Other titles began to produce slight twists on familiar monsters.
Several anthologies were produced for the Abyss line, including an erotic horror anthology Little Deaths edited by the peerless Ellen Datlow, the ghost story anthology Post Mortem, edited by Paul F. Olsen and David Silva, and Metahorror, edited by Dennis Etchison.
Here is the complete list of the anthologies’ tables of contents.
Post Mortem (1992), edited by Paul F. Olson and David B. Silva. This edition was reprinted from the 1989 St. Martin’s Press edition.
| Story Title | Author | Page |
| Introduction, “The Phantom Book” | Paul F. Olson and David B. Silva | ix |
| “Each Night, Each Year” | Kathryn Ptacek | 1 |
| “Mark of the Loser” | Gary Brandner | 17 |
| “Timeskip” | Charles de Lint | 30 |
| “Resettling” | Steve Rasnic Tem and Melanie Tem | 51 |
| “The Servitor” | Janet Fox | 71 |
| “Blanca” | Thomas Tessier | 92 |
| “Nine Gables” | James Howard Kunstler | 123 |
| “The Last Cowboy Song” | Charles L. Grant | 135 |
| “The Ring of Truth” | Thomas F. Monteleone | 148 |
| “Eyes of the Swordmaker” | Gordon Linzner | 174 |
| “The Guide” | Ramsey Campbell | 193 |
| “Getting Back” | P. W. Sinclair | 211 |
| “Walkie-Talkie” | Donald R. Burleson | 260 |
| “Major Prevue Here Tonite” | William F. Nolan | 276 |
| “The Brush of Soft Wings” | Melissa Mia Hall | 290 |
| “Brothers” | David B. Silva | 307 |
| “Haunted World” | Robert R. McCammon | 333 |
| Afterword | Dean R. Koontz | 360 |
Metahorror (1992), edited by Dennis Etchison. The anthology contains Peter Straub’s 1993 World Fantasy Award-Winning “Ghost Village.”
| Story Title | Author | Page |
| Introduction | Dennis Etchison | xi |
| “Blues and the Abstract Truth” | Barry N. Malzberg and Jack Dann | 3 |
| “Are You Now?” | Scott Edelman | 12 |
| “Stab” | Lawrence Watt-Evans | 24 |
| “Mutilator” | Richard Christian Matheson | 28 |
| “Martyrdom” | Joyce Carol Oates | 31 |
| “Briar Rose” | Kim Antieau | 54 |
| “Replacements” | Lisa Tuttle | 73 |
| “Ziggles” | Donald R. Burleson | 94 |
| “End of the Line” | Ramsey Campbell | 109 |
| “Did They Get You to Trade?” | Karl Edward Wagner | 134 |
| “GIFCO” | M. John Harrison | 160 |
| “The Properties of the Beast” | Whitley Streiber | 180 |
| “In Praise of Folly” | Thomas Tessier | 195 |
| “The Visit” | William F. Nolan | 215 |
| “The Ring of Truth” | George Clayton Johnson | 222 |
| “Nothing Will Hurt You” | David Morrell | 234 |
| “Underground” | Steve Rasnic Tem | 260 |
| “Bucky Goes to Church” | Robert Devereaux | 280 |
| “Dumbarton Oaks” | Barry N. Malzberg | 301 |
| “Novena” | Chelsea Quinn Yarbo | 308 |
| “The Ghost Village” | Peter Straub | 334 |
Little Deaths (1995), edited by Ellen Datlow. This edition is reprinted from the 1994 World Fantasy Award-Winning Best Anthology. One new story appears from the original: Dan Simmon’s “Dying in Bangkok.”
| Story Title | Author | Page |
| Introduction | Ellen Datlow | xi |
| “The Lady of Situations” | Stephen Dedman | 1 |
| “Hungry Skin” | Lucy Taylor | 17 |
| “Becky Lives” | Harry Crews | 35 |
| “The Swing” | Nicholas Royle | 65 |
| “Lover Doll” | Wayne Allen Sallee | 75 |
| “The Careful Geometry of Love” | Kathe Koja and Barry N. Malzberg | 105 |
| “The Pain Barrier” | Joel Lane | 123 |
| “Menage a Trois” | Richard Christian Matheson | 139 |
| “On Amen’s Shore” | Clive Barker | 143 |
| “Fever Blisters” | Joyce Carol Oates | 165 |
| “An Outside Interest” | Ruth Rendell | 181 |
| “And Salome Danced” | Kelley Eskridge | 197 |
| “That Old School Tie” | Jack Womack | 217 |
| “Ice Palace” | Douglas Clegg | 261 |
| “Serial Monogamist” | Pat Cadigan | 289 |
| “The Disquieting Muse” | Kathe Koja | 260 |
| “Dying in Bangkok | Dan Simmons | 327 |

If spotted in the wild, many of these titles are worth snatching, if not just for trade/resale value (for those catch-and-release/profit folks). Instead, I’d advocate for settling in for a nostalgic night, a trip back to the 90’s, where distrust for technology, fetishistic sexuality, and suburban-ennui-turned-dangerous collided to make for some interesting premises, and more often than not, fantastic prose.
A few additional Dell titles of the era, but not quite the Abyss line: