Dell Abyss

The complete Dell Abyss line with titles bearing the imprint label (Note: Several titles were released that were presumed Dell Abyss/stated so although they did not contain the imprint inside the flyleaf/on the spine).

Championed and headed by revolutionary editor/teacher Jeanne Cavalos, Dell Abyss represented the last wave of the horror boom. Debuting in 1991 and wrapping up with promises of a newly appointed editor to take over the line (which never occurred), Abyss mangled tropes and instead encouraged new realms of psychological terror, experimental horror, dark realms of sexuality, and ultimately introduced the world to a few authors who would go on to find momentous success, among them Poppy Z. Brite, Kathe Koja, and Brian Hodge.

Dell Abyss Catalogue

TitleAuthorPublication DateISBN
The CipherKathe KojaFebruary 19910-440-20782-7
NightlifeBrian HodgeMarch 19910-440-20754-1
DuskRon DeeApril 19910-440-20709-6
SpectersJ. M. Dillard May 19910-440-20758-4
ProdigalMelanie TemJune 19910-440-20815-7
ObsessedRick Reed July 19910-440-20855-6
ToplinMichael McDowellAugust 19910-440-20886-6
MasteryKelly WildeSeptember 19910-440-20727-4
DescentRon DeeOctober 19910-440-20708-8
Tunnel VisionR. Patrick GatesNovember 19910-440-21090-9
Shadow TwinDale HooverDecember 1991 0-440-21087-9
Post Mortemed. Paul F. OlsonJanuary 1992 (orig. 1989 St. Martin Press)0-440-20792-4
The Orpheus ProcessDaniel GowerFebruary 19920-440-21143-3
Whipping BoyJohn ByrneMarch 19920-440-21171-9
Bad BrainsKathe KojaMarch 19920-440-21114-X
Lost FuturesLisa TuttleMay 19920-440-21201-4
DeathgripBrian HodgeJune 19920-440-21112-3
Metahorrored. Dennis EtchisonJuly 19920-440-21202-2
StitchMark MorrisAugust 19920-440-21259-6
Anthony ShriekJessica Amanda SalmonsonSeptember 19920-440-21320-7
Death’s DoorJohn Wooley and Ron WolfeOctober 19920-440-21196-4
WildingMelanie TemNovember 19920-440-21285-5
Dark DanceTanith LeeDecember 19920-440-21455-6
PenanceRick ReedJanuary 19930-440-21237-5
Shadow ManDennis EtchisonFebruary 19930-440-21202-2
FacadeKathryn Kristin RuschMarch 19930-440-21290-1
Rapid GrowthMary HannerApril 19930-440-21337-1
Angel KissKelly WildeMay 19930-440-20728-2
The Making of a MonsterGail PetersonJune 19930-440-21389-4
Darker SaintsBrian HodgeJuly 19930-440-2113-1
Making LoveNancy Holder and Melanie TemAugust 19930-440-21469-6
Heart-BeastTanith LeeSeptember 19930-440-21455-6
Lost SoulsPoppy Z. BriteOctober 19930-440-21281-2
X, YMichael BlumleinNovember 19930-440-21374-6
HarrowgateMichael GowerDecember 19930-440-21456-4
DeadweightRobert DevereauxMarch 19940-440-21482-3
65 MMDale HooverApril 19940-440-21338-X
Dead in the WaterNancy HolderJune 19940-440-21481-5
RevenantMelanie TemSeptember 19940-440-21503-X
Grave MarkingsMichael ArnzenNovember 19940-440-21339-8
Sins of the BloodKathryn Kristin RuschDecember 19940-440-21540-4
The Language of FearDel JamesFebruary 19950-440-21712-1
California GothicDennis EtchisonJune 19950-440-21726-1
Little Deathsed. Ellen DatlowSeptember 19950-440-21852-7
The Children’s HourDouglas CleggNovember 19950-440-21867-5

These titles are now collectors’ items, and while not at all uncommon to find one or perhaps two when touring a used book store, oftentimes the foil-cut and view-through window covers are marred and torn. Oddly, some seem printed in a way that makes them look as if they leaped through time whereas others, flaking and brittle, seem like they are made of paper slate.

The flyleaf page printed inside Abyss titles

Uniformly praised by critics and authors alike (including a oft-produced paragraph blurb by Stephen King used on the titles themselves), the quality of Dell Abyss is uneven…at best. Here, taste certainly plays a part, but much of the contemporary argument regarding horror’s history with misogynistic and overly-sexualized male gaze-y plays out in the pages of more than a few of these authors, with perhaps Ron Dee serving as the prime example.

As the line progressed, its original claim and stance on avoiding familiar settings and tropes softened, and titles like Gail Peterson’s The Making of a Monster featured vampires. Other titles began to produce slight twists on familiar monsters.

Several anthologies were produced for the Abyss line, including an erotic horror anthology Little Deaths edited by the peerless Ellen Datlow, the ghost story anthology Post Mortem, edited by Paul F. Olsen and David Silva, and Metahorror, edited by Dennis Etchison.

Here is the complete list of the anthologies’ tables of contents.

Post Mortem (1992), edited by Paul F. Olson and David B. Silva. This edition was reprinted from the 1989 St. Martin’s Press edition.

Story TitleAuthorPage
Introduction, “The Phantom Book”Paul F. Olson and David B. Silvaix
“Each Night, Each Year”Kathryn Ptacek1
“Mark of the Loser”Gary Brandner17
“Timeskip”Charles de Lint30
“Resettling”Steve Rasnic Tem and Melanie Tem51
“The Servitor”Janet Fox71
“Blanca”Thomas Tessier92
“Nine Gables”James Howard Kunstler123
“The Last Cowboy Song”Charles L. Grant135
“The Ring of Truth”Thomas F. Monteleone148
“Eyes of the Swordmaker”Gordon Linzner174
“The Guide”Ramsey Campbell193
“Getting Back”P. W. Sinclair211
“Walkie-Talkie”Donald R. Burleson260
“Major Prevue Here Tonite”William F. Nolan276
“The Brush of Soft Wings”Melissa Mia Hall290
“Brothers”David B. Silva307
“Haunted World”Robert R. McCammon333
AfterwordDean R. Koontz360


Metahorror (1992), edited by Dennis Etchison. The anthology contains Peter Straub’s 1993 World Fantasy Award-Winning “Ghost Village.”

Story TitleAuthorPage
IntroductionDennis Etchisonxi
“Blues and the Abstract Truth”Barry N. Malzberg and Jack Dann3
“Are You Now?”Scott Edelman12
“Stab”Lawrence Watt-Evans24
“Mutilator”Richard Christian Matheson28
“Martyrdom” Joyce Carol Oates31
“Briar Rose”Kim Antieau54
“Replacements”Lisa Tuttle73
“Ziggles”Donald R. Burleson94
“End of the Line”Ramsey Campbell109
“Did They Get You to Trade?”Karl Edward Wagner134
“GIFCO”M. John Harrison160
“The Properties of the Beast”Whitley Streiber180
“In Praise of Folly”Thomas Tessier195
“The Visit”William F. Nolan215
“The Ring of Truth”George Clayton Johnson222
“Nothing Will Hurt You”David Morrell234
“Underground”Steve Rasnic Tem260
“Bucky Goes to Church”Robert Devereaux280
“Dumbarton Oaks”Barry N. Malzberg301
“Novena”Chelsea Quinn Yarbo308
“The Ghost Village”Peter Straub334

Little Deaths (1995), edited by Ellen Datlow. This edition is reprinted from the 1994 World Fantasy Award-Winning Best Anthology. One new story appears from the original: Dan Simmon’s “Dying in Bangkok.”

Story TitleAuthorPage
IntroductionEllen Datlowxi
“The Lady of Situations”Stephen Dedman1
“Hungry Skin”Lucy Taylor17
“Becky Lives”Harry Crews35
“The Swing”Nicholas Royle65
“Lover Doll”Wayne Allen Sallee75
“The Careful Geometry of Love”Kathe Koja and Barry N. Malzberg105
“The Pain Barrier”Joel Lane123
“Menage a Trois”Richard Christian Matheson139
“On Amen’s Shore”Clive Barker143
“Fever Blisters”Joyce Carol Oates165
“An Outside Interest”Ruth Rendell181
“And Salome Danced”Kelley Eskridge197
“That Old School Tie”Jack Womack217
“Ice Palace”Douglas Clegg261
“Serial Monogamist”Pat Cadigan289
“The Disquieting Muse”Kathe Koja260
“Dying in BangkokDan Simmons327

If spotted in the wild, many of these titles are worth snatching, if not just for trade/resale value (for those catch-and-release/profit folks). Instead, I’d advocate for settling in for a nostalgic night, a trip back to the 90’s, where distrust for technology, fetishistic sexuality, and suburban-ennui-turned-dangerous collided to make for some interesting premises, and more often than not, fantastic prose.



A few additional Dell titles of the era, but not quite the Abyss line: